• Name: Aaron Copland.

• Born: 14 November 1900, Brooklyn, New York, United States.

• Father: Harris Morris Copeland.

• Mother: Sarah Mittenthal Copeland.

• wife husband : .

        Aaron Copeland was an American musician, composition teacher, writer, and later conductor of his own and other American music. Copeland was called by his peers and critics “the dean of the American composer”. His music has openly changing harmonies, typical of what many consider to be the voice of American music, awakening the vast American landscape and pioneering spirit.

        He is best known for his compositions written in a deliberately accessible style in the 1930s and 1940s, often referred to as “populist” and what the composer calls his “supernatural” style. Works in this vein include Ballet Appalachian Spring, Billy the Kid and his fanfare for Rhoda, Common Man and the Third Symphony. In addition to his ballet and orchestral works, he has produced music in many other genres, including chamber music, singing acts, operas, and film scores.

        After some preliminary studies with composer Rubin Goldmark, Copeland traveled to Paris, where he first studied with Isidore Philippe and Paul Vidal, then with noted academician Nadia Bulanger. He studied for three years with Bolanger, whose eclectic approach to music inspired his own wide-ranging tastes. Determined on his return to the US to make his way as a full-time musician, Copeland gave lecture-reconsideration, wrote work on commission and did some teaching and writing.

        The composer Aaron Copland was born on November 14, 1900 in Brooklyn, New York to parents of Jewish and Eastern European ancestry. The youngest of five children, Copeland developed an interest in piano, receiving guidance from his elder sister. He later studied under Rubin Goldmark in Manhattan and regularly participated in classical music performances. At the age of 20, Copeland opted to continue his studies in Fontainebleau, France, where he received tutage from the famous Nadia Bullanger.

While studying a variety of European creators while abroad, Copeland worked in the U.S. until the mid-1920s. After being asked to write an organ by Boolenger, Copeland eventually organized a symphony for the orchestra with the New York Symphony Society on January 11, 1925 under Walter Damrosch.

        In his growth as a musician, Copeland reflected important trends of his time. After returning from Paris, he worked with jazz rhythms in music for the Theater (1925) and Piano Concerto (1926). During a period during which he was heavily influenced by Igor Stravinsky’s Neoclassicism, turning to an abstract style, which he described as “extra spare in more sonority, more lean in texture”. This approach was dominant in Piano Situations (1930), Short Symphony (1933). ), And descriptions for the orchestra (1933–35).

        After this final act, the direction of the most productive phase of Copeland’s career changed. He expresses the new orientation well: “During these years I began to feel a growing dissatisfaction with the relationship of the music-loving public and the living musician. It seems that we musicians were in danger of working in the void. “In addition, he felt that a new public radio, phonograph and film score for modern music was being created by the new media:” It made no sense to ignore them and continue writing as if they didn’t exist.

        I felt that it was worth the effort to see if I could not say what I had to say in the simplest possible terms. “Copeland therefore became one of the most important developments after the 1930s: an effort to simplify new music in order that it would make sense to a large public.

        Aaron Copeland was one of the most respected cultural celebrities in United States history. The Presidential Medal of Freedom, the Kennedy Center Award, the National Academy of Motion Picture Arts and Sciences “Oscar”, and the Commander of the Federal Republic of Germany, Cross of the Order of Merit were just some of the honors and awards he received.

        In addition, he was president of the American Academy of Arts and Letters; A fellow of the Royal Academy of Music and the Royal Society of Arts in England; American Musicians Alliance found help; Musicians and writers were early and prominent members of the American Society; Served as a director or board member of the American Music Center, the Kosevitsky Foundation, The League of Composers, and other organizations; Received honorary doctorates from over 40 colleges and universities. In 1982, the Aaron Copland School of Music was established in his honor at Queens College, City University of New York.